Recent Videos
Comfort at One: Bach's BWV 8 and BWV 113
April 19, 2021
In 2018, Bach at One welcomed the addition of the Noack organ in St. Paul’s Chapel by pairing favorite cantatas with Bach’s magnificent Preludes and Fugues and Leipzig Chorales. The concert features Liebster Gott, wenn werd ich sterben?, BWV 8 and Herr Jesu Christ, du höchstes Gut, BWV 113.
Comfort at One: Britten's The Last Rose of Summer
April 16, 2021
Today’s at-home performance of Comfort At One comes from versatile and stunning tenor, and Trinity's Downtown Voices Director, Stephen Sands. As a part of Music in the Somerset Hills where he is the Artistic Director, Stephen performs The Last Rose of Summer by Benjamin Britten.
Trinity Commons Speaker Series with Kimberly Bryant
April 15, 2021
Kimberly Bryant is the founder of Black Girls CODE, a non-profit organization dedicated to “changing the face of technology” by introducing girls of color (ages 7-17) to the field of technology and computer science.
Thursday Music Meditation
April 15, 2021
Comfort at One: Guilmant, Sigfrid Karg-Elert, and Bach
April 15, 2021
Pipes at One returns to Comfort at One Thursdays with today's stunning 2018 performance by Trinity associate organist Janet Yieh. She plays the music of Guilmant, Sigfrid Karg-Elert, Bach, Thalben-Ball and Reger.
Comfort at One: Ola Gjelio’s Ubi Caritas
April 14, 2021
Enjoy this stunning choral meditation for today’s Comfort at One: Ola Gjelio’s Ubi Caritas led by associate director of music Melissa Attebury and accompanied by Farrah Dupoux.
Wednesday Music Meditation
April 14, 2021
Tuesday Music Meditation
April 13, 2021
Comfort at One: Brahms
April 13, 2021
After his Requiem was premiered in 1868, Brahms later added a movement for solo soprano “I will comfort you as one whom his own mother comforteth.” This epic work that is now known as piece of hope and solace was performed on the finale of the Time’s Arrow Festival: Webern.
Comfort at One: Bach's Christ unser Herr zum Jordan kam, BWV 7
April 12, 2021
This may be Bach’s most quintessentially Trinitarian cantatas. With references to the Trinity throughout the form, rhythm, structure, and text, Bach's Christ unser Herr zum Jordan kam, BWV 7 is performed alongside Heinichen’s Concerto in A Major for Oboe d’amore, S. 228, featuring Gonzalo Ruiz.